
( Brand: Tiffen ), ( Manufacturer Part Number: 498Y2 ), ( Part Type: Filter ), ( Shape: Circular ), ( Country/region Of Manufacture: Germany ), ( Bundle Listing: No ), ( Filter Effects: Black White Contrast ), ( Circular Size: 49mm ), ( To Fit: Camera ), ( Color: Yellow )
The Tiffen 498Y2 Digital Color Conversion Filter is a versatile tool designed for digital photographers and videographers. This filter is specifically engineered to enhance color balance and reduce the effects of unwanted color casts that can be introduced by digital cameras, particularly in fluorescent lighting situations.
The 498Y2 filter is part of Tiffen's Digital Color Conversion series, which is known for its ability to accurately balance colors in digital captures. This filter has a magenta tint that helps to counteract the green casts often produced by fluorescent lights. The filter's density is 2, which means it allows 80% of light to pass through, providing a subtle color correction without significantly darkening your image.
The Tiffen 498Y2 Digital Color Conversion Filter is made of high-quality optical glass and is coated with Tiffen's proprietary Multi-Coat IV technology for improved light transmission and reduced reflections. It is also scratch-resistant, ensuring it can withstand the rigors of frequent use.
The filter is circular in shape, measuring 49mm in diameter, making it compatible with most DSLR and mirrorless cameras using 49mm lens filters. It comes in a protective case for easy storage and transportation.
In summary, the Tiffen 498Y2 Digital Color Conversion Filter is a must-have tool for any digital photographer or videographer looking to enhance color accuracy and reduce color casts in their images, especially under fluorescent lighting. Its high-quality construction, subtle color correction, and scratch-resistance make it a reliable and long-lasting investment.
Pros of buying a Tiffen 498 Dioptre (49) Filter:1. High-quality construction: Tiffen is a well-known brand in the photography industry, known for its high-quality optical filters. The 498 Dioptre filter is no exception. It is made of glass, ensuring sharp images with minimal distortion.
2. Versatility: The 498 Dioptre filter is a close-up filter, which means it can be used to take detailed close-up shots without the need for a separate macro lens. It can also be used for telephoto work to increase the effective focal length of your lens.
3. Wide range of applications: This filter is suitable for various types of photography, including nature, macro, wildlife, and product photography. It can help you capture intricate details that might otherwise be invisible to the naked eye.
4. Durable: Tiffen filters are known for their durability. The 498 Dioptre filter is no exception. It is scratch-resistant and can withstand rough handling.
Cons of buying a Tiffen 498 Dioptre (49) Filter:1. Expensive: Compared to other filters, the Tiffen 498 Dioptre filter is on the higher end of the price spectrum. This might not be a feasible option for budget-conscious photographers.
2. Limited focal length: While the filter is versatile, it is only suitable for specific focal lengths. It might not work with all lenses, especially wide-angle lenses.
3. Potential for vignetting: At extreme close-up positions, there might be some vignetting, which is the darkening of the corners of the image.
Ending conclusion:The Tiffen 498 Dioptre (49) filter is an excellent choice for photographers who need a high-quality close-up filter. Its high-quality construction, versatility, and durability make it a worthwhile investment. However, its high price and potential for vignetting are drawbacks that should be considered.
Recommendation:If you have the budget and need a high-quality close-up filter for your photography, the Tiffen 498 Dioptre (49) filter is a great option. If you're looking for a more budget-friendly alternative, you might want to consider other brands that offer similar filters at a lower price.
Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. A more correct cloud presence is obtained through the use of yellow filter, such as 8, which can absorb blue light, darkening sky to closely match what eye would see.
The latter is due to fact that most panchromatic emulsions used are more sensitive blue, violet and ultraviolet than other colors. Therefore, blue appears as lighter on film than it does to the eye.