SCHNEIDER OPTICS 68-096156 Mptv Net Glass Filter Panavision 605228114012 4X5.65

( Brand: Schneider Optics ), ( Manufacturer Part Number: 68-096156 ), ( Part Type: Glass Net Filter ), ( Filter Shape: Rectangular ), ( Square/rectangular Size: 4x5.65 ), ( Filter Size: 4x5 In ), ( UPC: 605228114012 )

Review SCHNEIDER OPTICS 4x5.65 Inch Mptv True net Gray Glass Filter Panavision Size

The **Schneider Optics 68-096156 4x5.65 MPTV True-Net Glass Filter** is a premium, high-performance optical filter designed for professional cinematography and high-end video production, offering unparalleled clarity, color fidelity, and durability. Crafted from precision-machined, high-quality glass with a **True-Net** mounting system, this filter is engineered to deliver consistent, distortion-free results across a wide range of shooting conditions. The **MPTV (Multi-Purpose True-Vision)** designation signifies its versatility, making it ideal for both on-set and studio applications where precise color grading and neutral density control are essential. With a **4x5.65-inch** size, this filter provides ample coverage for medium-format and larger sensor cameras, ensuring broad compatibility with Panavision s extensive lens lineup and other high-end cinema optics. The **True-Net** system eliminates the need for traditional filter holders, reducing flare and ghosting while allowing for quick, secure attachment and detachment perfect for fast-paced production environments. Schneider Optics reputation for optical excellence is evident in the filter s **ultra-low dispersion glass**, which minimizes chromatic aberration and maintains sharp, vibrant imagery from edge to edge. Whether used for neutral density adjustments, color correction, or diffusion, this filter exemplifies Schneider s commitment to craftsmanship and performance, making it a staple in the toolkit of professional cinematographers who demand the highest standards of image quality.

**Pros and Cons of buying a Schneider Optics 68-096156 4x5.65 MPTV True-Net Glass Filter (Panavision Mount)**

### **Pros**

1. **High Optical Quality** Schneider Optics is renowned for its precision-engineered glass, ensuring minimal distortion, sharpness, and accurate color reproduction. The True-Net construction reduces flare and ghosting, which is critical for high-end cinematography.

2. **Durability and Build** The filter is constructed with robust glass and a sturdy metal frame, making it resistant to warping, cracking, or degradation over time. This longevity is valuable for professional use where filters are frequently handled and swapped.

3. **True-Net Design** Unlike traditional gel-based filters, the True-Net construction uses a fine mesh of glass fibers suspended in a resin matrix. This design eliminates the risk of dust, debris, or moisture interference, which is common with gels. It also provides a more consistent optical effect without the unevenness that can occur with physical gels.

4. **Versatility in Effects** The 4x5.65 size is a standard in professional cinematography, allowing it to be used in various setups, including on Panavision lenses. The True-Net technology enables subtle yet precise color grading, diffusion, or contrast adjustments without the need for multiple physical filters.

5. **Compatibility with Panavision Mount** The filter is designed specifically for Panavision lenses, ensuring a secure and precise fit. This reduces the risk of misalignment or vignetting, which can occur with aftermarket adapters or non-matching mounts.

6. **Minimal Maintenance** Unlike gels, which require frequent cleaning and replacement, True-Net filters maintain their clarity and effectiveness over extended use with basic wiping. This reduces downtime and maintenance costs.

7. **Professional-Grade Performance** The filter is widely used in feature films, commercials, and high-end television productions. Its reputation for reliability and consistency makes it a trusted choice among cinematographers and DP s.

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### **Cons**

1. **High Cost** Schneider Optics filters are premium products, and this particular True-Net filter is no exception. The price point may be prohibitive for independent filmmakers, students, or smaller productions operating on tight budgets.

2. **Limited Availability** True-Net filters are not as widely stocked as traditional gels or glass filters. Finding replacements or specific effects may require ordering from specialty suppliers, which can introduce delays.

3. **Specialized Knowledge Required** While True-Net filters are user-friendly, their full potential is realized when used with a deep understanding of color science and cinematography. Beginners may struggle to achieve the desired effects without guidance.

4. **Weight and Bulk** Glass filters, even in smaller sizes like 4x5.65, are heavier and bulkier than gels. This can add to the physical load when carrying equipment, though the difference is minimal for this size.

5. **Not a Universal Solution** True-Net filters excel in specific areas (e.g., subtle color correction, diffusion) but may not replace all traditional filters. For certain effects (e.g., strong diffusion or high-contrast effects), multiple layers or additional filters may still be necessary.

6. **Potential for Overuse** Due to their precision, some cinematographers might be tempted to rely too heavily on True-Net filters for every shot, which could lead to over-processing or a lack of organic variation in the image.

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### **Conclusion**

The Schneider Optics 68-096156 4x5.65 MPTV True-Net Glass Filter is a high-quality, professional-grade tool that offers superior optical performance, durability, and versatility. Its True-Net construction eliminates many of the drawbacks of traditional gels, making it an excellent choice for cinematographers who prioritize consistency, clarity, and precision. However, the cost and specialized nature of the product may not justify its purchase for every project, particularly those with limited budgets or simpler visual requirements.

For **high-end productions, feature films, or commercials where image quality is paramount**, this filter is an outstanding investment. It is particularly well-suited for scenarios where subtle color grading, controlled diffusion, or accurate neutral density effects are needed without the drawbacks of gels.

For **budget-conscious filmmakers, students, or projects with straightforward lighting setups**, traditional gels or lower-cost glass filters may suffice. In such cases, the expense of a Schneider True-Net filter may not be warranted unless specific effects (e.g., fine-tuned color correction) are critical to the project.

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### **Recommendation**

- You are working on a professional production where image quality is non-negotiable.

- You frequently require precise color correction, subtle diffusion, or consistent optical effects.

- You already own or plan to invest in Schneider Optics or Panavision equipment, as the filter integrates seamlessly into those ecosystems.

- Your budget allows for the premium cost, and you expect the filter to be used extensively over time.

- Your project has a limited budget, and you can achieve similar effects with traditional gels or lower-cost glass filters.

- You are a beginner or lack experience with advanced color grading techniques, as the filter s full potential may not be fully utilized.

- You do not have immediate access to a supplier or risk delays in obtaining replacements.

In summary, this filter is a **strong recommendation for serious cinematographers** who demand the best in optical quality and consistency. For others, weighing the cost against the specific needs of the project will determine whether it is the right choice.

Details:

The True-Net series comes in three versions, and within those versions there are different levels of diffusion available. Schneider's new True-Net filters come in seven different versions. According to Schneider, after lots of research, they managed developed a technique sandwich hosiery made on the same knitting machines since 1950s, between their hallmark crystal clear water-white optical glass. At NAB, Schneider were showing their new True-Net Filters.

Its the perfect true-net filter to customize your look. There are many options available on the market, but none that quite like Schneider True-Net Filters. List is $446. Stock Code: 68-096156, True-Net Gray, also available in 2 densities, has a very natural feel. It is slightly more muted than the True-Net Black, yet it not as heavy Beige, therefor retaining a pleasing contrast.

As the name implies, True-Net diffusion filters are Schneider's answer to recreating look you get from putting an old silk stocking on back of your lens. $9.99 s/h in the US. Instead of having to grab an old stocking, you can now just put a filter in front the lens achieve similar look. New in Box - 4X5.65 TRUE-NET GRAY 1, Filter is brand new a box with pouch.

In this age of high resolution shooting many cinematographers are using diffusion filters to soften up their images.

part #: 68096156 prices

• $399.95-$425.00

specifications filtecam:

• brand: Schneider Optics
• mpn: 68-096156
• part type: Glass Net Filter
• filter shape: Rectangular
• square/rectangular size: 4x5.65
• filter size: 4x5 In
• upc: 605228114012

general filtecam:

• condition: New
• Cameras Photo > Lenses Filters > Filters

shipping filtecam:

• transit: 4-9 Days
• service: Standard
• type: Fixed
• class: Standard
• cost: $9.99

seller filtecam:

• city: Chatsworth, California
• rating: 100.0%
• # reviews: 19219

returns filtecam:

• time: 14 Days
• method: Money back
• paid by: Buyer
• policy: Returns Accepted

offer filtecam:

• started: May 18, 2026
• options: Ship-to-home
• quantity: 2
• sold: 0
• availability: In Stock

payments filtecam:

• wallet: Apple-pay
• other
• credit card: Mastercard

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