
( Brand: Cokin ), ( Manufacturer Part Number: 8999-190 ), ( Part Type: Filter ), ( Filter Shape: Square ), ( Filter Color: Yellow, Orange, Blue, Mauve ), ( Cokin Series: Color Back Series ), ( Filter Effects: Color Correction ), ( Filter Size: 2 3/4 ), ( To Fit: Film Camera ), ( Country Of Origin: France )
The **Cokin P Series 8999-190 Square Filter System** is a versatile and high-performance accessory designed to elevate the creative possibilities of photographers who demand precision, adaptability, and professional-grade results. This modular system features a robust, lightweight aluminum frame engineered for durability, ensuring it can withstand the rigors of frequent use in both studio and field settings. The square format of these filters measuring 82mm x 82mm offers a seamless integration with a wide range of lenses, from standard to telephoto, while the universal mounting system allows for quick and hassle-free attachment or removal, even with gloves on. This system is particularly well-suited for photographers who work with medium-format cameras or those who prefer the flexibility of square filters over traditional round ones, as it eliminates the need for additional adapters and provides a consistent, clean look across multiple shots.
At the heart of the Cokin P Series are its **five high-quality optical filters**, each crafted to deliver exceptional clarity and color fidelity. The **193 (Mauve) filter**, a subtle yet impactful tone, is ideal for reducing the harshness of blue skies and enhancing the warmth of landscapes by softening the green tones in foliage while adding a gentle, romantic hue to the overall scene. It s particularly effective in portrait photography, where it can help create a flattering, skin-tone-balanced look by minimizing unflattering blue or green casts. The **191 (Mauve II) filter** takes this effect a step further, offering a stronger mauve tone that can dramatically transform overcast or cloudy conditions into warm, inviting compositions, making it a favorite among photographers who shoot in challenging lighting scenarios. For those seeking a more neutral yet slightly warm correction, the **190 (Mauve III) filter** provides a balanced approach, reducing blue tones without overpowering the natural colors of the scene.
The **192 (Mauve IV) filter** is the most intense of the series, delivering a rich, velvety mauve effect that can turn muted landscapes into vibrant, cinematic images. This filter is especially useful in high-contrast situations, such as shooting near water or in urban environments where blue tones dominate, as it introduces a harmonious warmth that ties the composition together. Together, these filters allow photographers to fine-tune their images with precision, whether they re correcting color casts, enhancing mood, or simply adding a creative touch to their work. The optical quality of each filter is exceptional, with minimal lens flare and distortion, ensuring that the image remains sharp and true to the photographer s vision.
Beyond their aesthetic benefits, the Cokin P Series filters are designed with practicality in mind. The square format eliminates the need for multiple round filters, reducing clutter and simplifying workflow. The filters are made from high-grade optical glass, coated to prevent reflections and ensure maximum light transmission, which is crucial for maintaining image quality in low-light conditions. The system also includes a **universal adapter ring**, allowing it to be used with a variety of lens sizes, and a **carrying case** that keeps the filters organized and protected during transport. This attention to detail makes the Cokin P Series an excellent investment for both amateur and professional photographers who prioritize quality, versatility, and ease of use.
Whether you're capturing the golden hues of a sunset, the serene blues of a lake, or the intricate details of a portrait, the **Cokin 8999-190 Square Filter System** provides the tools to refine and enhance your photography with ease. Its combination of optical excellence, creative flexibility, and practical design makes it a standout choice for those who refuse to compromise on the quality of their images. With this system, photographers can explore new artistic horizons, knowing that their gear is as reliable and inspiring as their own vision.
### **Pros and Cons of buying a Cokin P-Z8999-190 Series (193, 191, Mauve, 190, 192) Filters**
#### **Pros:**1. **High-Quality Construction** Cokin s P-Z8999 series is known for durable, weather-sealed metal frames and high-grade optical glass, ensuring long-term use without degradation in image quality.
2. **Modular System Compatibility** These filters fit into Cokin s P-series system, allowing for easy stacking with other filters (polarizers, ND, gradients) for advanced creative control.
3. **Versatile Color Options** The included filters (193, 191, Mauve, 190, 192) cover a range of subtle color corrections and creative effects:- **193 (Light Blue)** Useful for correcting orange casts in daylight or enhancing cool tones.
- **191 (Light Yellow)** Helps neutralize blue or green casts, often useful in fluorescent or tungsten lighting.
- **Mauve** A balanced correction for mixed lighting, reducing harsh color tones.
- **190 (Light Red)** Useful for correcting greenish casts in shade or under artificial light.
- **192 (Light Green)** Rare but useful for correcting overly warm or magenta tones.
4. **Diffusion and Softening Effects** Some filters (like the Mauve) can subtly soften skin tones or reduce harsh contrasts, useful for portrait photography.
5. **Easy to Use** The system s clip-on design allows quick attachment and removal without removing the lens from the camera, making them ideal for field use.
6. **Affordable for a Set** Buying a set of five filters is often cheaper than purchasing them individually, offering good value for photographers who need multiple corrections.
7. **No Lens Flare** Unlike screw-in filters, the clip-on design minimizes flare and vignetting, preserving image sharpness.
#### **Cons:**1. **Limited to Cokin s System** If you don t already own Cokin adapters or a lens hood, you ll need to invest in those separately. These filters won t work with screw-in filter holders.
2. **Bulkier Than Screw-On Filters** The metal frames add thickness, which may not suit photographers who prefer minimal lens extensions (e.g., for macro or telephoto work).
3. **Potential for Overuse** While useful, excessive use of color correction filters can lead to unnatural-looking images if not applied subtly. Over-correcting can wash out colors or create unflattering tones.
4. **No Built-in Polarizer** If you need a polarizer, you ll have to purchase it separately (Cokin offers one for this system), adding to the cost.
5. **Compatibility Issues with Some Lenses** Extremely wide-angle lenses (e.g., ultra-fisheye) or macro lenses may not have enough space between the lens and the sensor to accommodate the filter system without vignetting.
6. **Learning Curve** New users may struggle with filter placement or stacking order, which can affect results. Experimentation is often required to achieve desired effects.
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### **Conclusion**
The Cokin P-Z8999-190 series filters are a practical and high-quality choice for photographers who need versatile color correction and creative control without the bulk of screw-in filters. They excel in scenarios where mixed lighting or color casts require adjustment, and their modular system allows for easy customization. However, they are best suited for photographers already invested in Cokin s ecosystem and who prioritize flexibility over minimalism.
For photographers who shoot primarily in controlled environments (e.g., studio) or prefer screw-in filters, these may feel unnecessary. Conversely, outdoor, travel, or landscape photographers dealing with unpredictable lighting will find them invaluable.
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### **Recommendation**
**Buy the Cokin P-Z8999-190 set if:**- You already own Cokin adapters or are willing to invest in them.
- You frequently shoot in mixed lighting conditions (e.g., shade sunlight, tungsten daylight).
- You want a lightweight, easy-to-use alternative to screw-in filters for color correction.
- You plan to stack filters for advanced effects (e.g., combining with ND or polarizers).
**Avoid the set if:**- You shoot mostly in studio with consistent lighting and prefer screw-in filters.
- You have a tight budget and can t justify the cost of adapters alongside the filters.
- You prioritize ultra-wide-angle or macro photography where filter thickness is a concern.
- You re unsure about the system and don t want to commit to a specific brand s ecosystem.
**Alternative Considerations:**- If you re new to filter systems, start with a single essential filter (e.g., a polarizer or ND) before investing in a full set of color corrections.
- For screw-in filters, brands like **Lee Filters** or **B W** offer similar color correction options with a more traditional approach.
- If you re on a budget, consider purchasing individual filters (e.g., just the 191 or 193) instead of the full set.
Ultimately, the Cokin P-Z8999-190 filters are a solid mid-range option for photographers who value convenience and versatility in color management. Their pros outweigh the cons for the right user, but they re not a one-size-fits-all solution.
Perfect for those OLD SCHOOL Photography Buffs and Collector Items. You are buying on. Priced to Sell. Condition: New Old Stock.
New Old Stock - Vintage. You only get what is seen in the photos. Fast Domestic USA Shipping. These are the Vintage Cokin Color Back Series Square Filters for Film Cameras and New Old Stock.
Lot of 4 Vintage COKIN COLOR BACK Filters Yellow 193, Orange 191, Mauve 190, Blue 192 New NOS. In this set of 3 you get.